Confronting half of her mothers life—her mother who had survived the Jeju April 3 Incident—the director tries to scoop out disappearing memories. A tale of family, which carries on from Dear Pyongyang (YIDFF 2005), carving out the cruelty of history, and questioning the precarious existence of the nation-state. 南極影視( m.fengxianjiance.com)<<湯與意識(shí)形態(tài)>>,別忘了推薦給你的好友!
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